The next chapter from my dissertation “Making Big Data Small” deals with the much-cited ‘data overload’, arguing that the notion of an overload or flood might be wrong — isn’t it nothing more than a filter failure and could data visualisation be part of the solution?
“It’s not information overload.
It’s filter failure.”
Today’s the first day of my research residency at CIID in Copenhagen. This three-month residency will complement my studies during the final year at the RCA. During this residency I will focus on my final year projects and engage in practice-based research in the area of interaction design and interface design, for which CIID Research with its broad range of activities and applied research methodology is the perfect place.
I have just finished my MA thesis at Royal College of Art entitled “Making Big Data Small – Visualising Patterns within Big Data Sets”. Let me share some of the things I wrote.
In my dissertation, I investigate the nature of big data, its different definitions and misconceptions and try to take a human-centered perspective on data. I connect this with the practice of visualising data by creating patterns with scatter-plots, which reveal the underlying structure of data: text visualisations, moving image analytics and visualisation of personal data. I want to emphasize the need for new tools (meta-tools) that allow for a more fluid way of interacting with data and the importance to establish data visualisation as a cultural technique to enable not only insight into big data sets, but also to foster cultural innovation.
“Too Big to Know”: in his talk at NEXT Berlin David Weinberger explains the shift from traditional knowledge to networked knowledge through the change from disconnected media like books to linked media like the internet. He adresses the question why the old institutions of knowledge crashed at the touch of a hyperlink. More
Bret Victor, the man who gave us an a better understanding of how to teach programming in his landmark article Learnable Programming last September, does it again. In his most recent talk he presents a software prototype for interactive dynamic drawing, a tool for scientists to creatively express their ideas in data visualisations, that go far beyond the narrow perspective of Excel bar charts, but also gets rid of blindly manipulating objects with code by introducing parameterised direct manipulation drawing. More
Brian Eno shares his views on creating situations to let go of control, reducing one’s options to avoid known paths, the concept of a “genius” and his idea of art education for everyone in this interview at Red Bull Music Academy in New York in May 2013. More
Some useful Processing code snippets which I’ve used during some recent projects. Print PDFs, run code before application quits, avoid exiting when ESC is pressed or find the name of the current sketch. More
This quick experiment shows how logos of major brands are rebuilt and distributed by the public and made available on the internet. It’s impossible to say which is the original logo, all versions that are freely available online differ a little bit. This is a compilation of the logos of six companies: Nike, adidas, Coca-Cola, Apple, BBC and bp. More
I’ve explored cartography in severalprojects before, and I’m especially fascinated by the way we memorise maps, for example how we build mental models of a city layout, and how we experience and remember space.
A recent brief at RCA was to think about remapping Europe. I took this as an opportunity to make an experiment to find out how we remember maps: I asked people to draw the map of Europe off the top of their heads, without preparation or reference, within a 5 minute timespan. More
Last but not least, I’d like to add a classic TED talk to my list of inspirational talks. Actually it is the most watched TED talk ever – over 15 million on the TED website and another 5 million views on youtube since 2006. And quite rightly, I think. While folks like Evgeny Morozov love to hate TED talks, which is debatable of course, Ken Robinson’s remarks on creativity and the educational system can be considered a masterpiece, rhetorically as well as regarding the argument he makes. More
I’ve spent the last two days at the IDEO make-a-thon, a workshop where 78 people met to think, create and make. The 12 challenges on the topic of “superhuman” have been meticulously chosen by IDEO staff. Our challenge, entitled “Super Games”, was how we might help the elderly strengthen their skills through play. More
According to John Cleese, certain conditions make it more likely that something creative might occur. In order to get into the “open mode”, you have to create an oasis of quiet for yourself by setting boundaries of space and of time.
In this interview with wired Joi Ito, the new director of the MIT Media Lab, explains why he sees the future of education and research in “open universities”. 27 years after its opening, Ito wants to open up the Media Lab into the “world’s leading ‘antidisciplinary’ research lab”, where everybody, academically qualified or not, can take part. He sets out to create a movement based on disobedience and breaking the rules attempting to solve the world’s most persistent problems. More
Aired on BBC Radio 4 in November 2012, this agile discussion on the occasion of the 175-year anniversary of the RCA stretches from the history and relevance of liberal art education in the UK and the RCA in particular, to the importance of developing a lively exchange between engineering and art and design, the economic benefits of this dialog, and concludes in debating the essentials of good art and design education.
In his TED talk, the american psychologist Barry Schwartz makes a valid point in explaining why it’s better to offer a limited number of choices only. This is an important lesson for all graphic designers, I think it’s especially relevant for UI and web design, but also for corporate and print design.
In capitalism, freedom is defined by having an unlimited number of choices. How could this be wrong? Isn’t it awesome to have every imaginable possibility? Well, not really. When people are confronted with too much choice, they tend to end up unsatisfied, regardless of which option they chose. Schwartz explains this phenomenon. More
In this interview from 2010 english actor Stephen Fry talks about why technology doesn’t make up for missing talent, why ego-centric people are not successful, why setting goals is disastrous, why something completely different is more interesting than your usual thing, why travelling is important for self-reinvention and self-discovery, learning from masters and with friends, the joy of giving, our need to question and test knowledge, the complex questions in life, ethics and morality, engagement in society, social networks and democracy, the absurdity of conspiracy theories, the paradox of belonging and being outside, why self-obsessed people are distressing, and the greatness of kindness. More
I’ve gotten into the habit of watching one inspirational talk almost every day. Most of the recommendations come through twitter or through conversations at the RCA. Now I’d like to start a series of posts with a few selected talks I wouldn’t want to miss. First in this series is Rodney Mullen’s talk on community, creativity and innovation.
My newest work is a visualisation of various demographic and US election-related datasets called United Stats of America, which I created in collaboration with Melissa Kim. We’ve been commissioned by KK Outlet, the London outpost of infamous Kesselskramer from Amsterdam, and they provided us with a large amount of datasets based on research carried out by Sarah Williams, Assistant Professor at MIT. The brief was to create infographic posters based on this data for their exhibition Mapping America. Let me explain what it’s about and how me made it. More
I joined the #vizmarathon 2012 at the meetup in University College London on Friday, where Alastair Moore uf UCL Advances had prepared a great environment to work in and provided pizza and beer. After getting the brief and the datasets, we watched the keynote speech by Richard Saul Wurman. Sitting in his comfortable chair in his home office / library, he inspired all of us, but also got me into thinking about the relevance of data visualizations. More